In celebration of the 50th anniversary of the Stonewall Riots, Young Dems BCS and Transcend, an organization serving transgender and gender non-conforming students at Texas A&M University, will host a trans- and non-binary-centered Pride Party deep in the heart of Aggieland.…
If you binge romance novels, if you love realistic queer representation, or if you’ve ever fallen into a fugue state while scrolling through updates about the Royal Family, I’ve got excellent news—Casey McQuiston’s debut novel, Red, White & Royal Blue, will check each of those boxes for you, and it’s quickly becoming the hottest romance read of 2019.…
Daisy Boy is the show every queer youth needed in their tweens and teens. While many of us held on to shows like Daria or Lizzie McGuire to comfort the outcast within us, Daisy Boy is the gay answer that we were looking for.…
On Saturday May 4, the Denton, Texas–based musical group Spectrum Ensemble made their debut with their specially curated show, A New Light, at Denton’s Black Box Performing Arts Center. “The energy in the room was magnetic,” Jaime Esposito, co-founder of the group, says of the intimate show, which had about 60 people in attendance. “It was exhilarating and the most fun performing I had ever experienced.”…
“Four numbers in and we’ve already had a dildo and a 9/11 joke,” quips host and star entertainer Regina Blake-Dubois during the second-anniversary performance of The Broad’s Way, Houston’s only Broadway drag revue. At the Broad’s Way, the mood is always tongue-in-cheek and campy, like you hope to see at any drag show. But at Michael’s Outpost, the revue’s home stage, the performers bring more than kitsch comedy and silliness.…
Organización Latina de Trans en Texas, better known as OLTT, is a Houston-based non-profit organization that provides life-saving resources to the trans Latinx community. The organization was founded by Ana Andrea Molina, an undocumented trans Latina, who currently serves as the organization’s executive director. One of the main services OLTT provides is housing for Latina trans women at the organization’s shelter, Casa Anandrea. In 2018 alone, the organization was able to provide housing to 120 trans Latinas throughout the course…
After the spotlight locks onto the mic and the door to the back room shuts, host Bob Morrissey steps to the front of the jet black room with a Lone Star in his hand and a relaxed grip on the microphone. The lone disco ball spins in the dark above his almost impressively unkempt hair. Within five minutes, Morrissey introduces the show with a story about how he managed to be more impressed with the Hitchcock film Strangers on a Train…
This year, OUTsider Fest celebrated its fifth year with enthusiasm, collaborative spirit, and queer BIPOC avant-garde delights. Artistic director Curran Nault and president PJ Raval opened their home to morning Conferences on the Couch, casual round-table panel discussions of the previous night’s performances and exhibitions, and created a space for the different artists to discuss their views and work through the lenses of different academically salient topics. In the afternoon and on into the evening, performative works ranging from theatre…
Out theatre director and immersive experience extraordinaire Brian Clowdus doesn’t ask how before laying down a grand plan. The Atlanta-area theatrical pioneer first entered the national spotlight for using an actual helicopter in Serenbe Playhouse’s production of Miss Saigon; he then graced Spectrum South in August 2018 when he sank the set and sent actors plummeting beneath the waves in Serenbe’s Titanic.…
Telling stories about the nuances of queer female sexuality is the core of playwright Christina Quintana’s craft. In an essay about her play Scissoring, Quintana writes: “I love women, I love lesbians, I believe in stories about queer women of color more than anything.” This passion is precisely where Quintana draws inspiration for her latest play, Azul, which receives its world premiere at Southern Rep Theatre in New Orleans from March 27 to April 14, 2019. The production is a…
