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Queers on Screen: What to Watch While Quarantined

A photo of queer show Gentleman Jack.

Representation matters. The way we and our communities are portrayed matters. In observing queer characters in books, movies, and on television, we see options for who we can be and validation of who we already are. As human beings, we are in constant need of affirmation that we are not alone—that our thoughts and experiences aren’t isolated.…

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Queer Reads for Every Quarantine Mood

A photo of queer quarantine reads.

Given the current state of the world, you’re probably spending a lot of time at home right now. With restaurants and bars closed, sporting events and concerts cancelled, and the world at large on pause, we’ve entered an unprecedented state of stillness. On the bright side (if there is such a thing), this is an excellent opportunity to catch up on any books, shows, or movies that you’ve been longing to experience. Whatever your social distancing mood is, we’ve got…

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The Alley Theatre’s ‘1984’ is Ghastly. It’s Also Necessary Viewing.

A photo of the Alley Theatre's production of 1984.

There is no doubt that the events of George Orwell’s magnum opus 1984 speak volumes in today’s political climate. The trouble is that both sides of the aisle will claim that the other is Big Brother and that they, the people on either side, are poor Winston. It is for this reason that out actor Todd Waite, who plays one of the party members in the Alley Theatre’s stage adaptation, offers a coy societal explanation. “For the LGBTQ community, there…

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On ‘Daughters of the Dust’ and the Radical Reconceptualization of Black Female Iconography

A still from Daughter of the Dust.

“What’s past is prologue.” One of the first lines uttered in director Julie Dash’s Daughters of the Dust (1991) is from Shakespeare’s The Tempest, but it is redeployed here by the character Viola Peazant. Used as a means of creating distance between herself and the islands from which she hails, the quote grounds the discourse of the film to follow. The past is a place, both physical and psychic, and how much of that place we carry forward with us…

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The Rise of the Queer Witch

A photo of the queer witch.

The season of the witch has arrived. Simply scroll through Instagram and see for yourself: crystals, herbs, spell recipes, aesthetic posts of perfectly curated altars, candles, witchcraft 101 tips and tricks, the list goes on. Walk the aisles of any bookstore, and they’re front and center: books on witchcraft, magic, the moon, astrology. Tarot is experiencing a rebirth, a reinvigoration.…

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FotoFest’s ‘African Cosmologies’ Examines African Diaspora Through a Queer Lens

A photo from African Cosmologies.

Photography, and the hierarchies that exist within the medium, have long been defined from a Western perspective. Accordingly, celebration and representation of the Black figure have largely been absent from museum collections, traditional gallery spaces, and other fine arts institutions. Houston’s FotoFest, the first and longest-running international biennial of photography and new media art in the United States, aims to confront and challenge “this shortsighted, albeit canonized lineage,” with this year’s exhibition, African Cosmologies: Photography, Time, and the Other.…

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Where We Get to Just Be: Houston’s Catastrophic Theatre Presents Queer Playwright Maria Irene Fornes’s ‘Fefu and Her Friends’

A photo of Fefu and Her Friends at Catastrophic Theatre in Houston.

By Addie Tsai The conversation around gender and sexuality has considerably shifted since the 1970s, when queer Cuban playwright Maria Irene Fornes wrote her avant-garde feminist play Fefu and Her Friends, set in 1930s New England. America would see the legalization of marriage equality just three years before Fornes’s passing, and Merriam-Webster would name the gender-neutral pronoun “they” as the word of the year in 2019. The #metoo movement would bring about a national conversation regarding consent, sexual assault, and…

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A Quick and Queer Guide to the Democratic Presidential Primary

A photo of voting in the Democratic presidential primary.

Texans (and American voters everywhere), the presidential primary election draws near! Although we are no longer contending with a whole circus of Democratic candidates, there are still a lot of people running in hopes of beating Donald Trump. It can be difficult to sift through the endless articles, advertisements, and heated debates to get to the true heart of these candidate’s issues. That’s why I have created this quick and easy guide to understanding each of the candidates’ stance on…

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The Spirits of New Orleans: On Voodoo and Black Queerness

A photo of queer Voodoo.

Turn to any Hollywood film or television portrayal of Voodoo and you’re most often faced with the same, sensationalized representation—an evil, devil-worshipping religion practiced amongst impoverished Black communities in Louisiana. While the religion may be romanticized in some cases, it is still largely seen as violent, graphic, and wicked. These misconceptions directly stem from the very real racism and misogynoir that exists in Hollywood and society at large.…

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Out of the Dream House: On Carmen Maria Machado, Domestic Abuse, and Queer Healing

A photo of author Carmen Maria Machado.

In late January, InPrint Houston, an Houston-based, non-profit organization that supports writers and readers of fiction, poetry, and creative non-fiction, hosted a dual memoir event with Carmen Maria Machado, author of In the Dream House, and Carolyn Forché, author of What You Have Heard is True. The event was moderated by Daniel Pena, a faculty member at the University of Houston Downtown, as a part of InPrint’s Root Brown Reading Series. Machado and Forché discussed creating memoirs through traumatic events—Machado…

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