In 2018, Houston-based genderqueer artist Stoo was ruminating over their intentions as a solo artist. Stoo’s music career had jumpstated with Bling St., a musical duo collaboration between Stoo and Luis Cerda. The duo’s EP, Costume, was unanimously well received, but the band eventually split, leaving Stoo with the freedom to develop their own voice and aesthetic. …
On May 30, 2019, a small group of performers and a few members of the Houston community who identify under the LGBTQIA+ umbrella took the stage at the Contemporary Arts Museum Houston (CAMH) to commemorate the 50th anniversary of the Stonewall uprising to a packed audience. Queer dancer and choreographer Rebecca French curated the performance, which was co-sponsored by CAMH and presented in conjunction with Stonewall 50, CAMH’s current exhibition featuring local, national, international, and multi-generational visual and mixed media…
“Four numbers in and we’ve already had a dildo and a 9/11 joke,” quips host and star entertainer Regina Blake-Dubois during the second-anniversary performance of The Broad’s Way, Houston’s only Broadway drag revue. At the Broad’s Way, the mood is always tongue-in-cheek and campy, like you hope to see at any drag show. But at Michael’s Outpost, the revue’s home stage, the performers bring more than kitsch comedy and silliness.…
Imagine an artistic experience that instantly evokes a feeling of community. Imagine a stage on which no subject is too taboo, where no performer hides behind insecurities. Imagine an event that encourages true genuineness—free of shame, judgement, or expectation. Imagine a space where there are no demands to conform artistically, socially, or sexually; performers are fully allowed to own their individual truths. Yet, this space is not a figment of our imagination—it existed for 10 years as a monthly performance…
As a young artist, Kevin Anderson regularly poured out his soul in the spoken word scene. He soon realized, however, that the vulnerability and lived truth he was sharing with the artistic community was not being returned. When at the mic, poets would often code-switch, changing the pronouns of their same-sex lovers to that of the opposite sex—until one day, a colleague didn’t. Rather than offering support, the poet who followed the act used his platform to belittle this fellow…
